Soca Novo
Soca-Samba is a hybrid blending Soca from Trinidad and Tobago with Samba from Brazil, often particularly referencing Bahia - SOulCAlypso
Video and Audio >
Samba Ottawa playing Soca Samba / Disco
Some Background
Film: Soca from 1987 >
Summary >
The whole thing
SLOW | FASTER | ||
BASIC PATTERN
- Bom daBim da
- Bom daBim da
- Bom daBim da
- Bomda daBim da
ENTRADA (also used to start and stop breaks)
- R: Prrr-a , da-da, da-da
- S: boom-boom
- R: da-da-da
Prr=rep roll, landing on ‘a’ - the one
NB: for breaks 1 and 2
different instruments do the their bits.
(order and timing arbitrary- indicated at the time)
BREAKS
Hand Countdown
The countdown takes place over the four bars of one complete basic pattern followed by the chamada (same as entrada)
||||
Bom daBim da
|||
Bom daBim da
||
Bom daBim da
|
Bomda daBim da
prrr-
followed by the call-reponse chamada as for the entrada
Exit
Breaks are concluded with clenched fist/knuckle sign and the above countdowm / chamada
Break 1
[Hand indicates 1 + countdown]
Primeiras do the boom, indicated instrument do the rest.
NB: more than one instrument may be indicated
ALL do every fourth pattern
- Prim selected first time  second time
- Boom dada-da caixas segunda
- Boom dada-da tambs tambs
- Boom dada-da shakers shakers
- dada dadadada (ALL except shakers)
concluded by countdown - then Basic Pattern
Break 2
[Hand indicates 2 + countdown]
Everyone stops EXCEPT indicated instrument.
Instruments cued in/out – they each do their normal pattern
Instruments indicated and countdown
ALSO instruments may be closed/silenced - with closed fist and countdown
concluded by countdown - then Basic Pattern
Break 3
[Hand indicates 3 + countdown]
Everyone stops, dobra changes pattern
Instruments cued
Fundo: Boom Boom Boom
Other instruments come in:
Caixas alternate off-beat
Shakers alternate ON-beat
Tamborims da-da, da, dadada
Repeniques something cool
. . .concluded by countdown - then Basic Pattern
Break 4
[Hand indicates 4 + countdown]
Everyone stops EXCEPT shakers.
Fundos: boom on every '1' (ie every other bar)
Dobras: sequence – starting on the fundo boom (each repeated)
L.......R.......
nothing
nothing
1
1..2
1..2..3
1..2..3.1
1..2..3.1..2
1..2..3.1..2..3 - an on
concluded by countdown - then Basic Pattern
FINISH
[Hands tap head + countdown]
Chamada and immediate final BOOM
Recorded at rehearsal on 22 Feb 2016
The Patterns
Entrada >
This is used throughout to call and exit breaks
Entrada
count |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
4 |
5 |
2 |
3 |
4 |
|||
Repique |
1 |
e |
& |
|
x |
X |
r |
x |
X |
& |
r |
4 |
e |
& |
r |
X |
X |
X |
r |
||||
Surdos |
1 |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
X |
e |
X |
The sample here is of the entrada introducing the main pattern, then calling a break
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Main Pattern >
Ends: count-down repinique entrada then start main pattern again
Main patternscount |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
4 |
5 |
2 |
3 |
4 |
6 |
2 |
3 |
4 |
7 |
2 |
3 |
4 |
8 |
2 |
3 |
4 |
Caixas |
x |
x |
x |
X |
x |
x |
X |
r |
x |
x |
x |
X |
x |
x |
X |
r |
x |
x |
x |
X |
x |
x |
X |
r |
x |
X |
x |
X |
x |
x |
X |
r |
Tamborims |
||||||||||||||||||||||||||||||||
Repinique |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
L |
l |
R |
R |
Shakers |
||||||||||||||||||||||||||||||||
S:Primeira |
O |
e |
& |
r |
2 |
e |
& |
r |
O |
e |
& |
r |
4 |
e |
& |
r |
O |
e |
& |
r |
6 |
e |
& |
r |
O |
e |
& |
r |
8 |
e |
& |
r |
S:Segunda |
1 |
e |
& |
r |
O |
e |
& |
r |
3 |
e |
& |
r |
O |
e |
& |
r |
5 |
e |
& |
r |
O |
e |
& |
r |
7 |
e |
& |
r |
O |
e |
& |
r |
terceira |
+ |
+ |
+ |
X |
+ |
+ |
X |
+ |
+ |
+ |
+ |
X |
+ |
+ |
X |
+ |
+ |
+ |
+ |
X |
+ |
+ |
X |
+ |
+ |
X |
+ |
X |
+ |
+ |
X |
+ |
Break 1 >
Signal: hand indicating "1"; indication of sequence of high instruments and count-down
count |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
4 |
5 |
2 |
3 |
4 |
6 |
2 |
3 |
4 |
7 |
2 |
3 |
4 |
8 |
2 |
3 |
4 |
primeira |
P |
e |
& |
r |
2 |
e |
& |
r |
P |
e |
& |
r |
4 |
e |
& |
r |
P |
e |
& |
r |
6 |
e |
& |
r |
x |
x |
& |
x |
x |
x |
x |
r |
chosen 1 |
1 |
e |
& |
x |
x |
e |
x |
r |
3 |
e |
& |
x |
x |
e |
x |
r |
5 |
e |
& |
r |
6 |
e |
& |
r |
x |
x |
& |
x |
x |
x |
x |
r |
shakers |
1 |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
x |
x |
X |
X |
x |
x |
X |
7 |
e |
& |
r |
8 |
e |
& |
r |
SLOW | FASTER | ||
Break 2 >
Signal: hand indicating "2", an instrument is indicated and count-down goes as usual.
All except the chosen instrument stop.
Instruments may be cued in and out arbitrarily.
Each instrument plays its usual main pattern.
SLOW | FASTER | ||
Break 3 >
Signal: hand indicating "3" and count-down
count |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
4 |
5 |
2 |
3 |
4 |
6 |
2 |
3 |
4 |
7 |
2 |
3 |
4 |
8 |
2 |
3 |
4 |
Surdos |
X |
e |
& |
X |
2 |
e |
X |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
Caixas |
1 |
e |
& |
r |
x |
e |
x |
r |
3 |
e |
& |
r |
x |
e |
x |
r |
5 |
e |
& |
r |
x |
e |
x |
r |
7 |
e |
& |
r |
x |
e |
x |
r |
Shakers |
x |
e |
x |
r |
2 |
e |
& |
r |
x |
e |
x |
r |
4 |
e |
& |
r |
x |
e |
x |
r |
6 |
e |
& |
r |
x |
e |
x |
r |
8 |
e |
& |
r |
Tamborims |
1 |
e |
& |
r |
2 |
e |
& |
X |
X |
e |
X |
r |
X |
X |
X |
X |
5 |
e |
& |
r |
6 |
e |
& |
X |
X |
e |
X |
r |
X |
X |
X |
X |
SLOW | FASTER | ||
Break 4 >
Signal: hand indicating "4" and count-down
constant
count |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
4 |
5 |
2 |
3 |
4 |
6 |
2 |
3 |
4 |
7 |
2 |
3 |
4 |
8 |
2 |
3 |
4 |
Primeira |
X |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
r |
6 |
e |
& |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
Caixas 8 bars |
1 |
e |
& |
r |
X |
e |
& |
r |
3 |
e |
& |
r |
X |
e |
& |
r |
5 |
e |
& |
r |
X |
e |
& |
r |
7 |
e |
& |
r |
X |
e |
& |
r |
subsequntly |
1 |
e |
X |
r |
2 |
e |
X |
r |
3 |
e |
X |
r |
4 |
e |
X |
r |
5 |
e |
X |
r |
6 |
e |
X |
r |
7 |
e |
X |
r |
8 |
e |
X |
r |
when cued, everyone else comes in with sequence:
count |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
4 |
5 |
2 |
3 |
4 |
6 |
2 |
3 |
4 |
7 |
2 |
3 |
4 |
8 |
2 |
3 |
4 |
Primeira-twice |
X |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
r |
6 |
e |
& |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
others - twice |
X |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
r |
6 |
e |
& |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
then |
X |
e |
& |
X |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
& |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
then |
X |
e |
& |
X |
2 |
e |
X |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
7 |
e |
& |
r |
8 |
e |
& |
r |
then |
X |
e |
& |
X |
2 |
e |
X |
r |
X |
e |
& |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
X |
e |
& |
r |
8 |
e |
& |
r |
then |
X |
e |
& |
X |
2 |
e |
X |
r |
X |
e |
& |
X |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
X |
e |
& |
X |
8 |
e |
& |
r |
repeat |
X |
e |
& |
X |
2 |
e |
X |
r |
X |
e |
& |
X |
4 |
e |
X |
r |
X |
e |
& |
X |
6 |
e |
X |
r |
X |
e |
& |
X |
8 |
e |
X |
r |
the 1-2-3-1-2-3 pattern is repeated until countdown and chamada
END >
Signal: Traditional pat on head and count-down
The finish is the break chamada followed by one BOOM from everybody
SLOW | FASTER | ||