Ano Novo
A batucada with many breaks - at times we've had 17 breaks in this piece! "Ano Novo" = "New Year"; named for our gigs with Jesse Cook, New Year's Eve at the NAC, Ottawa. So we learned quite a few of these from Rick Lazar of the Samba Squad. Others are very traditional, stretching way back - e.g. at least to the 'Brasileiro" album by Sergio Mendes & Carlinhos Brown. And some breaks are our own invention.
The entradas, breaks and finishes are described individually with audio and/or video where possible, but the longer audio tracks and videos near the end also have a list of which breaks happen when.
Breaks currently not in the repertoire are at the foot of the page.
Breaks are signalled by hand, then usually either called in with a reqenique chamada, or by the apito.
There is usually a primeira pickup prior to the main pattern starting/re-starting.
Key to descriptions >
'I am the greatest'
count |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
High instruments |
X |
X |
& |
X |
X |
e |
X |
r |
'Waiting for my dog spot'
count |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
4 |
verbalisation |
wait |
ing |
for |
my |
dog |
spot |
||||||||||
All/Agogós |
H |
H |
& |
H |
H |
e |
L |
r |
H |
e |
& |
r |
||||
Primeiras |
X |
X |
& |
r |
2 |
e |
X |
r |
3 |
e |
& |
r |
Videos >
Samba Ottawa playing Ano Novo at Vankleek Hill May Festival, 2010:
Entrada 0:15; Wave 1:50; Unibrau 2:20; Sapucai 3:10; Eye 3:30; Mozart 250 4:40.
Samba Ottawa play Ano Novo at the Lumiere Festival August 2009:
#3 0:05; #4 0:50; Wave 1:10; Sapucai (signal only!)1:35.
Samba Ottawa play Ano Novo at the CIDA Talent Show November 2009:
Partial entrada 0:00; #3 1:00; Wave 1:40; Tamborim conversation #1 2:40; Eye 3:20; Mozart 2504:25 (Finishes 5:25, then start of Canto Pro Mar).
Basic Patterns >
Basic Patterns
count |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
4 |
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agogós |
L |
e |
& |
H |
2 |
e |
L |
r |
L |
e |
H |
r |
H |
e |
L |
r |
||||||||||||
tamborims |
|
|
|
|
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primeiras |
1 |
e |
& |
r |
X |
e |
& |
r |
3 |
e |
& |
r |
X |
e |
& |
r |
||||||||||||
segundas |
X |
e |
& |
r |
2 |
e |
& |
r |
X |
e |
& |
r |
4 |
e |
& |
r |
||||||||||||
caixas |
X |
x |
x |
X |
x |
x |
X |
x |
X |
x |
X |
x |
x |
w |
w |
x |
||||||||||||
shakers |
X |
x |
x |
X |
X |
x |
x |
X |
X |
x |
x |
X |
X |
x |
x |
X |
Single Primeara Pickups feature coming out of most breaks.
There are exceptions:
Wave Break | No pickup |
Break #3 | Two boom-booms from Primeira |
Mozart 250 | None between 'dup, dee-dup ' etc and the basic samba double pickup between 'boom-boom didddly' stuff and basic samba |
Shakers:
The shakers fall silent for most breaks and come back in after any tam/ entrada, or right away if there isn't one.
There are exceptions:
Wave Break | Continue normally after the 'waiting ..' Stop for the rep. chamada (after final 'waiting ...') Restart after the tam. entrada |
Sapucai | Stop after the initial rep. chamada Restart for the one pattern of basic samba Stop Restart after the 'waiting ...' and primeira pickup |
Mozart 250 | Stop for the funny bits Restart for the basic samba |
Maninho's Entrada >
Taught to us by Maninho - also below as a Break
single Primeira pick-up
Fanfarra >
You can hear the original Fanfarra on the Carlinos Brown and Serghio Mendes album 'Brasileiro'.
Each section is call-and-response, usually repeated twice. Here are phrases that Rick Lazar uses for some of the sections:
-
Rosanna's her name, Rosanna's her name, Rosanna, Rosanna, Rosanna's her namecount123223323423523623723823All (pickup='Ros')xXxxx2xXxxx&xXxxXxxXxxx&r
-
Humpty Dumpty sat on a wallcount123223323423All/AgogósLeHL2HLLHL&r
-
We want you, We want you, We want you as a new recruitcount12342234323442345234623472348234All/AgogósHeLrLe&rHeLrLe&rHeLrLL&HHeLrLe&r
Listen to Fanfarra
Note: We've changed the arrangement since this recording: the agogós and shakers don't come in until after the tamborim entrada.
The rep call-and-response ends with rep chamada, then there's a single Primeira pick-up
Quick Entrada >
Just a quick call from the repenique, then the tamborim entrada, then every does the samba.
Listen to the quick entrada
Note: We've changed the arrangement since this recording: the agogós and shakers don't come in until after the tamborim entrada
single Primeira pick-up.
Break #3 >
Signal: Three fingers, 3 blasts on apito
- Repenique chamada
- Everyone stops before the '1'
- 3 times: 3 hits from the repenique - 3 responses from everyone except shakers
- Repenique noodling Bom-bom (i.e. double Primeira pick-up.)
- A bit more noodling Bom-bom (i.e. double Primeira pick-up.)
- Tamborim entrada
- Everyone does the samba!
Listen to Ano Novo Break #3
Break #4 >
Signal: Four fingers, 4 blasts on apito
- Repenique chamada
- Everyone stops on 1
- Repenique: da-ka-da-ka-da
- Bom-bom (primeiras) bim (secondas) cha (tamborims + jump), bom bim cha, bom bim cha
- Bom (Primeira pick-up.)
- Everyone does the samba (no tamborim entrada)!
Listen to Ano Novo Break #4
Not perfect: should be 4 apito blasts.
Break #5 >
Signal: Five fingers, long blasts on apito
- Repenique chamada
- Everyone stops on 1
- Primeira surdos: boom!
- Repenique: brrrrr-da
- Primeira surdos: boom!
- Tamborims, repenique: (triplets) blueberry, blueberry, crum-ble! (agogós play last note of crum-ble).
count1234223432344234tams, repiquexxxxxxxxagogós1e&r2e&rx4e&r - Bom (Primeira pick-up.)
- Everyone does the samba (no tamborim entrada)!
Listen to Ano Novo Break #5
Break #6 / 'Unibrow' >
From Rick Lazar of the Samba Squad, we got the convention that you add five to the number of fingers the mestre holds up, if he/she holds them in front of his/her face.
So, for break #6, the signal is one finger in front of the face (5+1=6). This became known as the 'unibrow' break.
Signal: Four apito blasts with one finger on forehead
- 'Waiting for my dog spot' (shakers etc stop)
- (Surdos:) boom-boom (Others:) cha, boom-boom cha, boom-boom cha
- Boom-boom cha boom-cha boom-cha
- Boom-boom cha
- Boom-boom 'Waiting for my dog spot'
- (Repenique:) prrrr
- Primeira pick-up.
- Tamborim entrada
- Everyone does the samba!
Ano Novo - Unibrow break - Vankleek Hill May 2010 (3.2MB wmv):
Break #8 >
Signal: Three fingers in front of face
- One apito warning with hand signal
- Repenique chamada
- da-da da-da da-da da-da ch ch
- da-da da-da da-da da-da boom boom
- da da boom boom da da ch ch
- da--da--da..boom boom-boom boom-boom
- usual Tamborim entrada
da - rep
ch - high instruments
boom - surdos
Break #8
count |
1 |
2 |
3 |
4 |
2 |
2 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
4 |
5 |
2 |
3 |
4 |
6 |
2 |
3 |
4 |
7 |
2 |
3 |
4 |
8 |
2 |
3 |
4 |
repinique |
x |
x |
& |
x |
x |
e |
x |
x |
3 |
x |
x |
r |
4 |
e |
& |
r |
x |
x |
& |
x |
x |
e |
x |
x |
7 |
x |
x |
r |
8 |
e |
& |
r |
high instruments |
1 |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
X |
e |
X |
r |
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surdos |
1 |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
5 |
e |
& |
r |
6 |
e |
& |
r |
7 |
e |
& |
r |
X |
e |
X |
r |
repinique |
X |
e |
X |
r |
2 |
e |
& |
r |
X |
e |
X |
r |
4 |
e |
& |
r |
X |
e |
& |
X |
6 |
e |
X |
|||||||||
high instruments |
1 |
e |
& |
r |
2 |
e |
& |
r |
3 |
e |
& |
r |
X |
e |
X |
r |
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surdos |
1 |
e |
& |
r |
X |
e |
X |
r |
3 |
e |
& |
r |
4 |
e |
& |
r |
5 |
e |
& |
r |
6 |
e |
& |
r |
7 |
X |
& |
X |
X |
e |
X |
X |
Here's a recording of the break
Sky Break >
Signal: Point to sky, long blast on apito
- Repenique chamada
- Everyone finishes on '1'
- Crescendo: Everyone except shakers: 1, 2, 3, 4, 5, 6
- Everyone does the samba!
- [in effect, the segunda surdos go: 1, 2, 3, 4, 5, 6, 7, where the 7 is the first beat of the samba].
Listen to the Sky break
Eye Break >
Signal: Point to eye (or both eyes) - indicate the location
(e.g. "Samba Ottawa in the house, or park etc. ")
- One apito warning with hand signal
- Repenique chamada
- boomta ta tata (all highs with repenique) 3 times (Mama cake Mama)
- boom boom boom (cake .. right .. now)
- “Samba Ottawa in the house/hall/park/church!” 2 times
- Repeat all of the above two more times, but third time, instead of vocals:
- Repenique chamada to restart the samba
- Tamborim entrada
Listen to the Eye break in Ano Novo
Not perfect: shakers & agogós should not come in until after the tamborim entrada.
single Primeira pick-up.
Ano Novo - Eye break - Vankleek Hill May 2010 (5MB wmv):
the Wave >
Signal: Make a big 'wave' sign, 4 apito whistles.
- Everyone:'Spot' finish; shakers & caixas continue.
- Surdos: Bom-Bim (primeira/segunda, pickup and first beat only). Repeat 9 times. It ties in with the rest of the instruments, so I suggest you learn the break, and don't count 9 times.
- Tamborims, repenique & agogós do 3-2 clave. Agogós play 3-2 clave as: lo, lo, lo, hi-hi. Repeat 4 times.
- 'Spot' finish - everyone stops.
- Tamborims do entrada syncopated variant: (Blueberry, blueberry, blueberry, blueberry muffin etc - to be completed).
Listen to The Wave from Ano Novo
Not perfect (we've changed it since this recording): everyone should finish on the second 'spot', then just surdos & tamborims play - like a regular tamborim entrada.
no Primeira pick-up.
Liberdade >
Signal: Letter 'L'
- Repenique chamada
- All Silent except Tamborims..
count12342234323442345234623472348234verbalisationMamacakeMama!YespleaseMamaIwantcakeMama!cakerightnow!Tamborimsxx&x2xxrxexrxx&x5x&x6xxrxexrxe
- single Primeira pick-up.
Listen to Liberdade ... Ano Novo - Vankleek Hill May 2010 at 0:30
Tamborim Conversation #1 >
Signal: (only to tamborims): 'Talking hand', 'number 1'.
Listen to tamborim conversation #1
Not perfect: shakers finish too soon.
Tamborim Conversation #2 >
Signal: (only to tamborims): 'Talking hand', 'number 2'.
Listen to tamborim conversation #2
Remember conversation #2 by the two distinct hits that start it off and get repeated frequently.
Sapucai >
Signal: With both hands, make 'crowd' signal with wiggling fingers.
This break is named after the street in Rio by the sambadromo, where the carnaval competition takes place.
The break is taken from the Enredo Liberdade, Liberdade, by Imperatriz Leopoldinense.
- Repenique chamada
- All except shakers: Boom-boom boom-boom boom
'I am the greatest'count12342234AllXX&XXeXr
- Samba for 2 bars of 2/4 - with primeira pickup
- All except shakers: I am the greatest again
- 'Waiting for my dog spot'
- Prrrda on repenique
- single Primeira pick-up.
- Samba (no chamada or tamborim entrada)
Listen to Sapucai ... Ano Novo - Vankleek Hill May 2010 at 0:50
Note: Shakers are a bit shakey on the timing!
Mozart 250 Break (and Finish) >
Signal: Mestre 'plays the violin'
This break was put together for Mozart's 250th birthday. It's based on parts of Eine Kleine Nachtmusik.
- Repenique chamada
- The rest is complicated to describe, but easier to learn by listening to these 3 audio tracks:
- Here's Mike's original mash-up to help understand where this break came from
(Eine Xtremely-Kleine Nachtmusik) - This is the version of the Mozart break you should be singing in your head as you play.
- And here's the Mozart 250 break
(starts at 0:20)
- Here's Mike's original mash-up to help understand where this break came from
Ano Novo - Mozart 250 - Vankleek Hill May 2010 (6.7MB wmv): ??
Waiting For My Dog Spot | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
then the following TWICE: |
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A |
dup, dee-dup, dee-dup,dee-dup,dee-dup 'Violin Part'
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FOUR regular Samba measures
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B |
boom-boom diddly .. double primeira pickup |
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THREE regular Samba measures
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Waiting For My Dog Spot |
There - that wasn't difficult!
Boy Scout Break (and Finish) >
Signal: 'Boy Scout' salute twice, 4 blasts on apito.
A 6/4 pattern with a very African feel.
'My Dog Spot' finish, then everyone starts the break on the next bar.
Here's the patterns for all the main instruments, twice through:
count |
1 |
2 |
3 |
4 |
5 |
6 |
2 |
2 |
3 |
4 |
5 |
6 |
3 |
2 |
3 |
4 |
5 |
6 |
4 |
2 |
3 |
4 |
5 |
6 |
verbalisation |
I |
wan |
na |
be |
in |
A |
me |
ri |
ca |
, |
ev |
'ry |
thing |
free |
in |
A |
me |
ri |
ca |
|||||
agogós |
L |
e |
H |
r |
H |
H |
L |
H |
3 |
H |
& |
H |
L |
e |
H |
r |
H |
H |
L |
H |
6 |
H |
& |
H |
shaker and caixas |
X |
x |
x |
X |
x |
x |
X |
r |
X |
e |
X |
r |
X |
x |
x |
X |
x |
x |
X |
r |
X |
e |
X |
r |
tamborims |
1 |
X |
X |
X |
2 |
X |
X |
r |
X |
e |
X |
X |
4 |
X |
X |
X |
5 |
X |
X |
r |
X |
e |
X |
X |
primeiras |
O |
e |
& |
r |
2 |
e |
O |
r |
3 |
e |
& |
r |
O |
e |
& |
r |
5 |
e |
O |
r |
6 |
e |
& |
r |
segundas |
1 |
e |
& |
O |
2 |
e |
& |
r |
3 |
O |
O |
O |
4 |
e |
& |
O |
5 |
e |
& |
r |
6 |
O |
O |
O |
alt shakers (preferred) |
X |
x |
x |
X |
x |
x |
X |
x |
x |
X |
x |
x |
X |
x |
x |
X |
x |
x |
X |
x |
x |
X |
x |
x |
Big End (Finish) >
Signal: Fist in the air
Listen to the 'Big End' finish
Audio clips - Long versions with multiple breaks >
Ano Novo part 1 (mp3 2.5MB) Entrada 0:00; Break #1 1:00; Break #2 1:10; Break #3 1:25; Break #4 1:55; Break #5 2:10; 'Spot' finish 2:20.
Ano Novo part 2 (mp3 4.8MB) Fanfarra 0:00; Sky 1:10; Break #8 1:30; Wave 1:55; Tamborim ride #5 2:20; Tamborim ride #8 3:00; Eye 3:50; Big End 4:45.
Ano Novo part 3 (mp3 3.3MB) Quick entrada 0:00; Unibrow (no repenique flourish) 0:30; Tamborim conversation #1 1:00; Tamborim conversation #2 1:30; Tamborim conversation #3 2:35; 'Spot' finish 3:20.
Ano Novo part 4 (mp3 1.4 MB) Quick entrada 0:00; Liberdade 0:30; Sapucai 0:55; 'Spot' finish 1:20.
Patterns >
Audio clips - Tamborim Pattern >
Breaks not in the current repertoire >
Break #1
Signal: One finger
Break #2
Signal: Two fingers
Tamborim conversation #3
Tamborim conversation #3 was inspired by:
Olha a virada tamborim conversation mp3 (Mocidade)
Olha a virada tamborim conversation wav (Mocidade)